Today’s blog delves into bad writing.
A few years ago I spoke at a meeting where we were discussing someone’s book (name intentionally withheld). The book was full of foul language and filthy sex. I had agreed to review the book not knowing the author’s tendencies. In fact, I started to back out because it offended me greatly, but I had agreed to read and so I read it, although it was a struggle. My conclusion, it was a terrible book. I would never recommend it to anyone.
But it was a best seller!
If it was a best seller then how can I say such hard things about it? And if my views are correct how come it was a best seller?
I’ll answer the second question first. Sex sells. So does filthy language.
I said bad things about the book because they were true.
Back to the meeting. In my review I condemned the book for the language and excessive graphics. One attendee, obviously a fan of the author, objected. She claimed to personally know the author who she claimed was a great person.
Now understand this, I never condemned the author as a person. I condemned the writing. There is a difference, but this attendee attacked me anyway. There were others in the room who agreed with my analysis, but this woman was obviously type A and wouldn’t back down.
Since that meeting I have talked about writers not using profane language or excessively graphic scenes. I mentioned it once in a blog and a reader commented that I was imposing my religion on the readers.
Not true. I believed that writing should not contain profane language or excessively graphic scenes long before I ever accepted Christ as my Savior. In fact, I wasn’t even attending church. I’m not talking religion I am talking about what makes a great writer.
Sales doesn’t make a great writer.
There is a constant flow of pornographic books that sell. Mankind is attracted to such books. But they are not good books.
Before I got saved I read well written books of all types. I even read books that had great plots, fantastic characters, while also leaving little to the imagination. And the interesting thing is that these books were great even if the bad stuff was left out. In fact, I would contend they would have been better.
You read any of my novels and I leave out the excessive graphics. That doesn’t mean there’s no sex, violence, or anything like that. When I write a scene I leave the excess up to the reader. Which brings up an important maxim.
A writer’s job is to stimulate the reader’s imagination not replace it!
So I always have a stopping point. This is true whether it is sex or violence.
But what about language? Well, let’s take a look at that. Those defending the practice contend it is more realistic, that everyone swears. But that is a false statement. There are a lot of people who don’t swear. Hollywood and TV has created an image that says swearing is normal, but we all know people, a great many people, who don’t swear.
So, first of all, swearing is not as prevalent as advertised.
Secondly, even if it was prevalent, we need to ask why most people read. It is to escape the reality of their lives, to imagine, to relax, and to be uplifted. Sure some are drawn to the dark side (a little Star Wars there), but I doubt that is the majority.
So, how do you the author show passionate characters and/or events without crossing the line? Believe it or not there was a time when authors actually solved this dilemma. In the case of language they simply used symbols, such as !@#$%^&. The reader automatically knew they represented a swear word. Some readers probably substituted their favorite swear word if they liked to swear. But the key here is that the reader didn’t feel deprived, but simply read on.
In the case of violence or sex the authors highlighted the activities leading up to the event. For example, in Perished I wrote of a battle where a sword fight took place. Read it for yourself:
Akkub turned and saw Meremoth rushing at him. He blocked the initial strike although staggered by it. Meremoth used a two-handed grip to force Akkub back. Suddenly Akkub lost his footing and Meremoth’s sword came slicing downward unblocked.
Everything seemed to stop as the general looked at his severed hand still gripping the sword.
Here we have a sword fight that results in one man losing his hand. The amount of detail provided is not too graphic, but it is enough to stimulate the reader’s imagination. And different readers have different levels of imagination, so each reader may picture the fight differently. In any case, the scene is full of action yet not too graphic.
In the case of sex, my usual approach is to focus on the events leading up to the act and to the events leading away from the event. Again, I let the reader’s imagination fill in the gaps.
In truth, the reader’s imagination is a valuable tool available to every writer willing to make use of it.
It is a tool that needs to be sharpened. You do that by using it. Moreover, you experiment and see what works. As deeply as I believe in what I am saying I have had people who reviewed my rough drafts tell me that I needed to back off in this or that scene. So you need people you trust to review your rough draft before you submit it for publishing.
My final thought on this is: what is your ultimate goal? We all want are books to sell. That is a given. But what is your ultimate goal?
Is it to simply get rich? Then you’ll probably reject everything I’ve said.
Is it to simply write? Then you may or may not care about this blog or about sales.
Is it to write your very best book? Then I contend you want your writing to be above reproach. Fame and sales would be nice, but you want to be able to say to yourself, I did my best. And that brings a deep sense of satisfaction!
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R Frederick Riddle is the author of several books. For more information on him visit his Amazon Authors Page. He is also co-founder and Vice President of T&R Independent Books where his books are featured. To reply to any blog you have the option of commenting on a blog and/or sending an email to email@example.com.