When writing a book of any type (fiction or nonfiction) you often bring your own experiences to bear, sometimes consciously and sometimes subconsciously. What I am talking about today is to intentionally and consciously use your experiences.
if you are writing a novel, always try to keep your characters separate and unique. They are allowed to change, but the reader needs to observe the change, especially if the character’s nature changes from bad to good, or good to bad!
Your grammar must be perfect!
Actually that depends on who you talk to and the specifics involved.
Here is my take:
I’ll admit right up front that there is no such thing as a perfect novel. There are millions of readers out there and every one of them have their own idea of what constitutes a good or great novel.
So, perfect novel? No! Good, yes.
So what constitutes a good novel?
I believe that every reader comes to our books with a tool available for us to use. It’s called their imagination. Think about it. Even if you are only eighteen you have had experiences, learned knowledge, and gotten acquainted with others. All of this impacts your imagination. So our job as authors is to tap into that imagination wherever possible and however we are able.
When writing my novels I frequently deal with multiple characters. This is common to most writers. But in my case, I like to let the reader into a character’s mind instead of just telling the reader what the character is thinking.
A Beta Reader is essentially a person who provides feedback that potentially helps your book to be better than it was. Not everyone can provide that service.
This special announcement comes to you my readers, fans, etc. first. I have published my latest book of the World That Was series. It is called World of Abraham.
I haven’t even placed it on my website yet, but that will be soon. But for now you are the first to see this newest novel.
Every book I’ve written has been bathed in prayer. It is not enough to merely follow principles, whether they are secular or spiritual. Writing is more than that. It involves the plot of the work, the characters involved, and the cohesiveness of the story. For that to happen requires a great deal of skill. But it also demands more.
The agent has given you his advice and has made it clear that unless you change things as he has described, he won’t represent you. Complicating the matter is the fact that you have not been able to find another agent. What do you do?